Annabela

A dying millionaire, Ivan, believes his estranged daughter, Annabelle, is responsible for his condition. He summons her to his secluded mansion, intending to confront her and expose her supposed misdeeds. However, Annabelle arrives with her own agenda, and as dark secrets unravel, the line between reality and delusion blurs in the gothic atmosphere of the estate.

Annabelle (1972) received a mixed reception. While some critics praised Joan Crawford's performance and the gothic atmosphere, many found the plot convoluted and the horror elements lacking. It is generally considered a lesser-known entry in Crawford's later filmography.

• Joan Crawford's final film performance is a highlight, showcasing her enduring screen presence.

• The film attempts a gothic mystery but is hampered by a confusing narrative.

• Despite moments of suspense, the horror elements are often understated or ineffective.

Google audience: Audience reviews are scarce and generally indicate a film that struggles to connect, with some appreciating the attempt at a psychological thriller and others finding it dated and unsatisfying.

None notable.

This film marked Joan Crawford's final on-screen appearance before her retirement from acting.