Debe Haber Pero No Hay

A group of aspiring artists, led by a charming but hapless impresario, tries to make their mark in the bustling world of Buenos Aires entertainment. They face numerous comedic challenges and rivalries as they attempt to stage a spectacular musical revue. Their journey is filled with misunderstandings, eccentric characters, and the constant struggle to find funding and success.

The film was a popular success, particularly with audiences who enjoyed the comedic talents of Alberto Olmedo. Critics noted its lighthearted tone and musical numbers, though some found the plot to be somewhat thin. It is generally regarded as a typical example of Argentine popular cinema from its era.

• Praised for its energetic musical sequences and Olmedo's comedic performance.

• Seen as a light and entertaining comedy that captures the spirit of the time.

• Some critics found the storyline to be formulaic but forgivable given the comedic performances.

Google audience: Audience reception was largely positive, with many appreciating the film's humor and musical elements as a form of escapism. Viewers often recall the memorable performances and catchy songs.

The film capitalized on the immense popularity of Alberto Olmedo, one of Argentina's most beloved comedians, in the late 1970s and early 1980s.