Who.

A Chinese-American woman, Evelyn Quan Wang, struggling with her laundromat business and strained family relationships, discovers that she must connect with parallel universe versions of herself to prevent a cosmic threat. As she navigates alternate realities and gains new skills, Evelyn confronts the multiverse's chaos while attempting to reconcile with her daughter and husband. The film blends martial arts action, absurdist humor, and profound emotional themes.

Everything Everywhere All at Once received widespread critical acclaim, with particular praise for its originality, direction, visual effects, action sequences, humor, emotional depth, and the performances of Michelle Yeoh, Stephanie Hsu, and Ke Huy Quan. The film was a commercial success and became a cultural phenomenon, resonating with audiences for its unique blend of genres and its exploration of themes like nihilism, family, and the immigrant experience.

• A wildly imaginative and ambitious film that expertly balances mind-bending multiverse chaos with heartfelt family drama.

• Michelle Yeoh delivers a career-defining performance, anchoring the film's emotional core amidst its frenetic energy.

• The Daniels craft a visually stunning and wildly original cinematic experience that is both hilarious and deeply moving.

Google audience: Audience reviews highlight the film's incredible creativity, originality, and emotional impact. Many praised the groundbreaking visual effects and the stunning action sequences, while others were deeply moved by the mother-daughter relationship and the themes of finding meaning in a chaotic world. The cast's performances, especially Michelle Yeoh's, were frequently lauded.

Won the Academy Award for Best Picture, Best Director, Best Actress (Michelle Yeoh), Best Supporting Actor (Ke Huy Quan), Best Supporting Actress (Jamie Lee Curtis), Best Original Screenplay, and Best Film Editing. It also received numerous other awards and nominations.

The directors originally envisioned the film's antagonist, Jobu Tupaki, as a more straightforward villain, but decided to make her Evelyn's daughter, Joy, to heighten the emotional stakes and explore themes of generational trauma and acceptance.