
Movie spotlight
Ein Ausgestoßener, 2. Teil: Der ewige Friede
Guy Walser killed the unscrupulous seducer of his sister Marguerite and had to spend several years as a Bagnos convict for this bloody deed . His past is like a brand on his social existence that he can never shake off. He married Lucienne and they had a lovely daughter, Lilly. Despite all the wealth that Guy has worked for, he remains an outcast who, as the title suggests, seeks nothing more than eternal peace for himself.
Insights
Plot Summary
This silent film likely continues a narrative from a previous installment, focusing on themes of social exclusion and the pursuit of lasting peace. The story probably delves into the personal struggles and societal conflicts faced by its characters as they navigate a world seeking to establish an everlasting tranquility. It explores the human condition against a backdrop of striving for an ideal, potentially through dramatic interpersonal relationships and broader societal commentary.
Critical Reception
As a silent film from 1915, specific critical reception data is scarce and difficult to verify through modern databases. However, German cinema of this era often focused on dramatic storytelling and social themes, and director Carl Froelich was a notable figure. The film's focus on 'eternal peace' suggests it may have engaged with contemporary socio-political ideas prevalent before World War I.
What Reviewers Say
Likely a melodramatic exploration of social outcasts.
Themes of peace and belonging were common in early 20th-century cinema.
Visual storytelling and performance would have been central to its impact.
Google audience: Information regarding audience reception from Google users for this silent film from 1915 is not available.
Fun Fact
The title 'Ein Ausgestoßener' translates to 'An Outcast,' and 'Der ewige Friede' means 'The Eternal Peace,' suggesting a narrative arc that likely deals with themes of societal rejection and the aspiration for a lasting harmonious state.
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