Royal Raw Auditions 2
Royal Raw Auditions 2

Movie spotlight

Royal Raw Auditions 2

2006
Movie
Adult · 18+
148 min
English

Royal Raw Auditions II brings you 12 studs from across Britain and Europe. This movie should have been called Royally Raw Fucked Auditions, since the cocks are so HUGE! Seven ass-pounding scenes running two and a half hours. Watch DANNY MICHAELS slam his massive uncut meat into LEO MACK, then get his own manhole plowed by big-dicked MATT JACKSON. BEN RIVERS does his audition with JONATHAN AMES and just as he's leaving hottie TIMOTHY TANNER walks through the door. Ben pushes the director to do another audition so he can get Timothy's fuck-monster up his twitching hole. Scottish boy with a big cock, KYLE WEST, get his first screen fuck from TAYLOR LEWIS and a load he'll never forget! Another Scottish lad CONNOR MCDONALD fills JACK JACKSON'S pretty pink hole with his fat uncut pole. Massive cocks rule this movie along tith some hungry asses that just want more and more! Skater, city, and country boys; you'll see them all wanting one thing - COCK!

Insights

Director: UnknownGenres: Adult, Comedy, Parody

Plot Summary

This is a direct-to-video adult film that appears to be a parody of reality television audition processes. It features a series of comedic and often outrageous scenes presented as auditions for a fictional show. The content is explicit and intended for mature audiences.

Critical Reception

As a direct-to-video adult film, 'Royal Raw Auditions 2' did not receive traditional critical reviews from mainstream publications. Its reception is primarily limited to specialized adult film review sites and audience feedback within that niche.

What Reviewers Say

  • Focuses on explicit adult content with a comedic, audition-show parody theme.

  • Lacks mainstream critical or audience recognition due to its genre.

  • Information regarding production details and cast is largely unavailable.

Google audience: Information not available for this title.

Fun Fact

Direct-to-video adult films from this era often served as niche content for specific markets and were not typically subjected to the same level of public scrutiny or critical review as mainstream cinema.

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