A self-assured businessman murders his employer, husband of his mistress, which unintentionally provokes an ill-fated chain of events.
A former French soldier, Julien Tavernier, plans to murder his wealthy industrialist boss, whom he is having an affair with his wife, Florence. Tavernier makes his way into the boss's office, commits the murder, and leaves, but he realizes he forgot his gloves and must return. However, Florence, thinking Julien has stood her up, drives away in his car, and Tavernier becomes trapped in the building. Meanwhile, a young couple steals Tavernier's car and goes on a crime spree, leading to a tragic end.
Elevator to the Gallows is widely regarded as a landmark of French New Wave cinema, praised for its atmospheric tension, stylish visuals, and Malle's confident direction. Jeanne Moreau's performance as the conflicted lover was particularly lauded, and Miles Davis's iconic jazz score significantly contributed to the film's mood and critical success. It is considered a masterful example of film noir with a modern sensibility.
Google audience: Viewers appreciate the film's stylish black-and-white cinematography, the gripping suspense, and the memorable jazz score. Many find Jeanne Moreau's performance to be a standout, and the film is often cited as a classic of its genre.
Nominated for the Palme d'Or at the Cannes Film Festival. Considered a significant film in the French New Wave movement.
The film's iconic jazz score was improvised by Miles Davis in Paris. He reportedly composed and recorded it in just a few sessions, inspired by the scenes shown to him and the overall mood of the film.
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