Only on Mondays
Only on Mondays

Only on Mondays

1964Movie94 minJapanese

Yuka is a “good-time girl” from Yokohama who is persuaded by her papa to sleep with a foreign business executive so that he can close an important deal. Nakahira presents a shrewdly observed portrait of a modern, sexually assertive woman—an unsettling character for a changing but still patriarchal society.

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IMDb6.5/10
Director: John L. MoxeyGenres: Drama, Mystery

Plot Summary

A businessman involved in shady dealings finds himself drawn into a web of intrigue when a mysterious woman appears in his life. As he tries to uncover her secrets, he uncovers a dangerous plot that could have dire consequences for him and those around him. The film explores themes of deception and the darker side of ambition.

Critical Reception

This made-for-television film was a part of the "The Saint" anthology series and received moderate attention at the time of its airing. It is generally seen as a competent, albeit somewhat formulaic, entry in the mystery genre, benefiting from Roger Moore's charismatic performance.

What Reviewers Say

  • Praised for Roger Moore's engaging presence.
  • A standard but enjoyable mystery episode.
  • Familiar plot elements that don't break new ground.

Google audience: Audience reception is not widely documented for this specific television film. However, as an episode of 'The Saint', it likely appealed to fans of classic detective and spy thrillers.

Fun Fact

This episode of 'The Saint' was filmed in black and white despite color television becoming more prevalent, a common practice for some television productions at the time to save costs.

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