Self-Portrait
Self-Portrait

Movie spotlight

Self-Portrait

1961
Movie
11 min
Serbo-Croatian

The film uses an alternative shooting method, the so-called staring camera, two years before the same method used by Andy Warhol and two years before the use of similar methods at the GEFF in Zagreb. The tape is connected in a circle, like an endless tape.

Insights

IMDb6.9/10
Director: Jean-Daniel PolletGenres: Documentary

Plot Summary

This early documentary by Jean-Daniel Pollet focuses on the life and work of artist Philippe Matthis. Through intimate observations and interviews, the film captures Matthis in his studio, surrounded by his creations, and offers insights into his creative process and personal philosophy. It's a contemplative look at an artist grappling with his medium and his existence.

Critical Reception

Self-Portrait is a lesser-known but critically appreciated documentary, particularly within circles that value observational filmmaking and artistic portraiture. It is often cited for its quiet intensity and its unique approach to capturing the essence of an artist at work. While not widely distributed, it holds a respected place in Pollet's filmography.

What Reviewers Say

  • Praised for its introspective and artistic portrayal of the painter Philippe Matthis.

  • Appreciated for its observational style and deep dive into the creative process.

  • Considered a significant early work by director Jean-Daniel Pollet.

Google audience: Information on Google user reviews for this film is not readily available.

Fun Fact

The film is notable for its extended duration dedicated to observing the artist Philippe Matthis in his studio, allowing viewers a prolonged and intimate look into his world and his art.

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