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On the eve of the Persian New Year, a young girl named Razieh is determined to buy a special goldfish for the celebrations. She embarks on a quest through the bustling Tehran market with her mother and brother to find the perfect fish. Along the way, they encounter various characters and challenges that test Razieh's resolve and her understanding of the world around her. The film beautifully captures the simple yet profound aspirations of childhood amidst the complexities of everyday life.

The White Balloon was met with widespread critical acclaim, lauded for its gentle storytelling, authentic portrayal of childhood, and Panahi's subtle yet powerful directorial touch. It resonated with audiences for its universal themes of hope, determination, and innocence, earning it a place as a significant work in Iranian cinema.

• Praised for its heartwarming and realistic depiction of a child's journey.

• Hailed as a masterclass in subtle, character-driven storytelling.

• Celebrated for its poignant portrayal of childhood innocence and resilience.

Google audience: Audience reviews frequently highlight the film's emotional impact, noting its ability to evoke feelings of nostalgia and empathy for the young protagonist. Many appreciated the authentic and relatable portrayal of everyday life in Iran, and the film's ability to convey profound messages with simplicity.

Winner of the Caméra d'Or (Special Mention) at the 1995 Cannes Film Festival, and winner of the Golden Leopard at the 1995 Locarno International Film Festival.

Jafar Panahi was banned from making films for 20 years by the Iranian government in 2010, but continued to direct subsequent films, including 'This Is Not a Film' (2011), which was smuggled out of Iran on a USB drive hidden in a cake.