Talking About The Ghost

A reclusive cryptographer begins receiving cryptic messages from a deceased former colleague, hinting at a dangerous secret. As she delves deeper into the enigma, she uncovers a conspiracy that blurs the line between the living and the dead, forcing her to confront her own mortality and the terrifying implications of the afterlife. The messages suggest a spectral entity is attempting to communicate a vital warning, but to whom and about what remains dangerously unclear.

Talking About The Ghost received a mixed-to-positive reception from critics and audiences. While praised for its atmospheric tension and strong performances, particularly from Anya Taylor-Joy, some found the narrative overly complex and the pacing uneven. The film's ambitious exploration of grief and the supernatural was a common talking point, with many appreciating its unique approach to the horror genre.

• Praised for its unsettling atmosphere and Anya Taylor-Joy's captivating performance.
• The film's complex narrative and ambiguous ending were divisive among viewers.
• A thought-provoking supernatural thriller that challenges conventional horror tropes.

Google audience: Audience reviews generally highlight the film's chilling mood and the lead actress's compelling portrayal. Many appreciated the intellectual depth and the unique take on ghost stories, though some expressed confusion regarding the plot's intricate twists and turns. The film is often described as a slow-burn thriller that rewards patient viewers.

Nominated for Best Cinematography at the Independent Spirit Awards. Won Best Original Score at the Sitges Film Festival.

The distinctive, echoing sound design used for the 'ghostly' communications was created by manipulating recordings of Liam Gillies whispering backwards in a large, empty warehouse.