Robert Motherwell and the New York School: Storming the Citadel
Robert Motherwell and the New York School: Storming the Citadel

Movie spotlight

Robert Motherwell and the New York School: Storming the Citadel

1991
Movie
55 min
English

Made shortly before Robert Motherwell’s death in 1991, is an exploration of the Abstract Expressionist movement and a portrait of one of its last survivors. Having come to New York in the early 1940s, Motherwell found himself on the battleground of American art. He and a group of painters set out to change the face of American painting. The film charts this epic battle led by Jackson Pollock, Willem de Kooning, Mark Rothko, Franz Kline, and Robert Motherwell, who endeavored to make American painting equal to painting elsewhere and, in the process, shifted the center of modern art from Paris to New York.

Insights

Director: Lawrence R. AllowayGenres: Documentary, Art

Plot Summary

This documentary explores the life and work of Abstract Expressionist painter Robert Motherwell, a key figure in the New York School. It delves into his artistic philosophy, his relationships with other prominent artists of the era, and his pivotal role in the movement's rise to international prominence. The film examines how Motherwell and his contemporaries challenged traditional art conventions and established a new American artistic identity.

Critical Reception

While specific aggregated critical reception data for this 1991 documentary is scarce, it is generally regarded as an informative and insightful look into a crucial period of American art history, offering valuable context for Motherwell's contributions and the Abstract Expressionist movement.

What Reviewers Say

  • Provides a valuable overview of Robert Motherwell's artistic journey.

  • Offers context on the New York School's impact on modern art.

  • Appreciated for its focus on the intellectual and social milieu of the artists.

Google audience: Audience reviews are not readily available for this niche documentary.

Fun Fact

The film's title, 'Storming the Citadel,' references the ambition of the Abstract Expressionist artists to gain recognition and acceptance from the established art world, which they viewed as a 'citadel' of traditionalism.

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