Hyenas

In a small Senegalese village struggling with economic hardship, a wealthy and mysterious woman named Linguère Moussambane returns after decades abroad. Her presence disrupts the community as she plans to exploit their resources for her own gain, bringing with her an entourage of hyena-like men. The villagers must find a way to resist her destructive influence and protect their way of life.

Djibril Diop Mambéty's final film, "Hyenas," was met with critical acclaim for its powerful allegory, striking visuals, and unique blend of satire and social commentary. It is widely regarded as a masterpiece of African cinema, offering a sharp critique of neocolonialism and the impact of globalization on traditional societies.

• Praised for its visual artistry and symbolic depth.

• Applauded for its biting satire on Western economic exploitation.

• Commended for its powerful performances and unique narrative style.

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Screened in the Competition at the 1992 Cannes Film Festival.

The film is a loose adaptation of Friedrich Dürrenmatt's play 'The Visit,' which also tells a story of a wealthy individual returning to a impoverished town with a destructive offer.