

Movie spotlight
La rouge et la noire
Carrying on Luc Moullets unfinished screenplay about the theft of la pénélope, a camera created by Aaton and capable of recording equally well in 35 mm and digitally, LA ROUGE ET LA NOIRE is a film in kaleidoscope form. The portrait of Aatons founder, Jean-Pierre Beauviala creator, inter alia, of the time-code and the light cameras used by the New Wave (in particular the bush camera specially designed for Jean Rouch) is centered around the basic plot introduced by two women thieves who talk as voice-overs, and whose identities will only be revealed at the end.
Insights
Plot Summary
This documentary delves into the complex and often brutal history of the French Revolution, exploring the motivations and consequences of the period's radical political and social upheaval. It examines the rise of revolutionary fervor, the Reign of Terror, and the eventual consolidation of power. The film aims to provide a nuanced perspective on the events that reshaped France and influenced modern political thought.
Critical Reception
As a documentary, 'La rouge et la noire' (2011) has been noted for its detailed historical exploration and academic rigor, though it is not a mainstream film with widespread critical reviews. It is generally appreciated by audiences interested in historical documentaries for its informative content.
What Reviewers Say
Praised for its comprehensive historical overview of the French Revolution.
Appreciated for its academic and detailed approach to a complex subject.
Seen as a valuable resource for those seeking an in-depth understanding of the revolutionary period.
Google audience: Information on specific Google user reviews for this documentary is not readily available.
Fun Fact
The film's title, 'La rouge et la noire', is a direct reference to Stendhal's classic novel of the same name, which also explores themes of ambition, social class, and the turbulent political landscape of 19th-century France, drawing a parallel to the revolutionary era's dramatic shifts.
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