The Kill
The Kill

Movie spotlight

The Kill

1992
Movie
50 min
English

Just as Ratboy launched the very first backside 360 air, The Kill helped launch the careers of Ratboy and Flea. The Kill came onto the surfing screen stealing the limelight from southern California and shining it directly on the northern part of the state, particularly Santa Cruz. Prior to the internet, the only way to see new surfing maneuvers was by watching the latest surf videos. The Kill includes Ratboys famous breakout performance, which took him from an unknown seventeen-year-old to the cover of Surfer Magazine. The Johnny Boy Gomes interview would become the material of surfing lore. Pomers interview with the most intimidating surfer in the world disarmed him in a way no one had seen before. Johnny Boy casually sucks on a lollipop as he describes his workout routine. Play tennis, kickboxing and eating junks, says Johnny Boy Gomes.

Insights

IMDb4.1/10
Director: Charles BandGenres: Horror, Comedy

Plot Summary

A group of college students awakens a demon, which possesses the body of one of their own. The possessed student then goes on a murderous rampage, targeting his friends one by one. The remaining survivors must find a way to stop the demon before it consumes them all.

Critical Reception

The Kill is a low-budget horror-comedy that garnered a cult following among fans of schlock cinema. While critically panned for its simplistic plot, uninspired acting, and questionable special effects, it is often appreciated for its earnest, if flawed, attempt at blending scares with dark humor.

What Reviewers Say

  • Praised for its B-movie charm and unintentional humor.

  • Criticized for its weak storytelling and low production values.

  • Seen as a typical example of early 90s direct-to-video horror.

Google audience: Audience reception is largely absent due to the film's niche appeal and direct-to-video release. What little commentary exists often focuses on its nostalgic value for fans of vintage low-budget horror.

Fun Fact

The film's director, Charles Band, is known for his prolific work in the direct-to-video horror genre, often with similar low-budget, creature-feature-esque B-movies.

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