Bedevilled

A nightclub singer in Paris, France, named Alice Dickinson, flees to America after her abusive husband, a gangster, is killed. She finds herself entangled with a pilot named Jerry Dickinson, who bears a striking resemblance to her deceased husband. Their relationship becomes complicated by her past, mistaken identities, and a looming threat from her husband's former associates.

Bedevilled received mixed reviews upon its release. While Joan Crawford's performance was often highlighted, the film's plot was frequently criticized for being convoluted and predictable. Some critics found the noir elements compelling, while others felt it failed to live up to its genre potential.

• Joan Crawford delivers a typically strong performance as a nightclub singer in distress.
• The film suffers from a predictable and often confusing storyline.
• Mitchell Leisen's direction attempts to inject noir atmosphere, with mixed success.

Google audience: Audience reception for Bedevilled is not widely documented, but general sentiment suggests a mixed view, with some appreciating the dramatic elements and Crawford's star power, while others found the plot lacking.

The film was one of Joan Crawford's final collaborations with director Mitchell Leisen, with whom she had previously made 'When Tomorrow Comes' (1939) and 'Hold Back the Dawn' (1941).