Last Video and Testament

This short experimental film, part of Richard Kern's 'Disinfection' series, explores themes of urban decay, societal alienation, and raw, often disturbing, human behavior. It features fragmented narratives and visceral imagery, characteristic of Kern's confrontational filmmaking style. The film immerses the viewer in a bleak, apocalyptic landscape, reflecting a sense of dread and existential crisis.

Richard Kern's early work, including 'Last Video and Testament,' is known for its controversial and polarizing nature. It's often appreciated within avant-garde and experimental film circles for its uncompromising aesthetic and raw portrayal of societal fringes. However, its explicit and often disturbing content has led to limited mainstream acceptance and discussion.

• Visually striking and conceptually challenging.

• Provocative and disturbing imagery.

• A hallmark of underground and experimental cinema.

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The film was shot on grainy 16mm film, contributing to its raw and gritty aesthetic, and was part of a series of films made by Kern in the early 1980s that gained notoriety in the underground film scene.