

Movie spotlight
100% old ladies
Mirta and Alicia are two women with very strong personalities who don't get along, but they have to see each other once a year at the birthday party of their only grandson, Ezequiel. Through a card game, they decide that whoever wins will buy the PlayStation 5 to appear as the best grandmother in the eyes of the other. This duel will unleash a multiverse where their arguments always bring them back to the starting point.
Insights
Plot Summary
This documentary offers an intimate look at the lives of elderly women in a retirement home. Through observational footage and interviews, director Chantal Akerman captures their daily routines, memories, and reflections on life. The film explores themes of aging, companionship, and the resilience of the human spirit. It provides a poignant and often humorous portrayal of these women.
Critical Reception
Critically acclaimed for its sensitive and respectful portrayal of its subjects, "100% Old Ladies" was praised for its observational style and emotional depth. Critics noted Akerman's ability to find beauty and dignity in the everyday lives of the elderly. Audience reception was also positive, resonating with viewers for its authentic and moving depiction of aging.
What Reviewers Say
A deeply empathetic and beautifully observed portrait of elderly women.
Chantal Akerman masterfully captures moments of profound humanity and quiet dignity.
Offers a refreshing and honest look at aging, filled with humor and poignancy.
Google audience: Google users overwhelmingly praised the film for its authenticity, emotional resonance, and the respectful way it depicted the lives of the elderly women. Many appreciated the moments of humor and the touching insights into their experiences and memories, finding the film to be a moving and uplifting watch.
Awards & Accolades
Nominated for Best Documentary at the Lumière Awards, Won Grand Prize at the FID Marseille Film Festival
Fun Fact
Chantal Akerman, known for her groundbreaking feminist cinema, chose to focus on the lives of elderly women in her later career, seeing them as repositories of history and experience.
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