Let’s Be Ritzy

This short musical comedy follows the misadventures of a man who tries to impress a wealthy socialite. He attempts to portray himself as a man of means, leading to a series of comical misunderstandings and escalating attempts to maintain his facade. The film culminates in a chaotic, yet amusing, showdown that exposes his charade.

As a 1930s musical short, 'Let's Be Ritzy' was primarily intended as light entertainment. Contemporary reviews focused on its comedic elements and musical numbers, often noting its low budget and typical B-movie production values. Audience reception likely aligned with the general popularity of musical shorts during that era, offering brief escapism and amusement.

• Generally considered a lighthearted and amusing musical short.
• Praised for its comedic performances, particularly by Billy Gilbert.
• Noted for its simple plot and reliance on musical interludes for entertainment.

Google audience: Audience reviews for 'Let's Be Ritzy' are scarce given its age and status as a short film. However, general sentiment from historical film communities suggests it was a typical, if unremarkable, example of the musical shorts popular in the 1930s, providing brief, accessible entertainment.

Eddie Cline, the director of 'Let's Be Ritzy', was a prolific director of silent comedies and later transitioned into sound shorts, often working with performers like Billy Gilbert.