Primary
Primary

Primary

1960Movie53 minEnglish

Primary is a documentary film about the primary elections between John F. Kennedy and Hubert Humphrey in 1960. Primary is the first documentary to use light equipment in order to follow their subjects in a more intimate filmmaking style. This unconventional way of filming created a new look for documentary films where the camera’s lens was right in the middle of what ever drama was occurring. Preserved by the Academy Film Archive in partnership with The Film Foundation in 1998.

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Insights

IMDb7.5/10
Rotten Tomatoes96%
Director: Robert DrewGenres: Documentary, Political

Plot Summary

This groundbreaking documentary follows John F. Kennedy's 1960 presidential primary campaign against Hubert Humphrey in Wisconsin. It offers an unprecedentedly intimate look at the political maneuvering, the personal toll on candidates and their families, and the behind-the-scenes realities of a modern political campaign. The film captures raw, unscripted moments, providing a verité style glimpse into the democratic process.

Critical Reception

Upon its release, 'Primary' was hailed as a landmark achievement in documentary filmmaking, pioneering the cinéma vérité style. Critics lauded its direct, unvarnished portrayal of political life and its innovative approach to capturing candid moments. It is widely considered one of the most influential documentaries of the 20th century.

What Reviewers Say

  • Revolutionary use of lightweight cameras and sound equipment for intimate, fly-on-the-wall filming.
  • Provides an unprecedentedly candid and realistic look at a political campaign.
  • A pivotal film in the development of the documentary form, capturing history as it unfolded.

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Awards & Accolades

Won the Golden Gate Award for Documentary at the San Francisco International Film Festival in 1960. Often cited as a major influence on documentary filmmaking and is preserved in the National Film Registry.

Fun Fact

The film's innovative use of lightweight, sync-sound cameras, developed by Robert Drew and his colleagues, allowed filmmakers to capture events as they happened, ushering in the era of cinéma vérité and direct cinema.

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