Gorbeh ro dameh hejleh mikoshan

In a remote Iranian village, the local populace reveres a cow that lives in the village square, considering it a sacred entity. When Hassan's beloved cow dies, he is devastated and, unable to bear the loss, decides to take the cow's place inside the enclosure. He becomes increasingly deluded, believing himself to be the cow. His descent into madness mirrors the villagers' own superstitions and fears.

Considered a landmark film in Iranian cinema, 'The Cow' was highly acclaimed for its powerful performances, allegorical narrative, and stark social commentary. It resonated with audiences for its exploration of tradition, superstition, and the psychological impact of loss and societal pressure. Despite initial censorship, it gained international recognition and is celebrated as a masterpiece of Iranian New Wave cinema.

• Praised for its profound psychological depth and allegorical storytelling.

• Ezzatolah Entezami's performance as Hassan is considered a career-defining role.

• Noted for its critique of superstition and the struggles of rural life in Iran.

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Venice Film Festival - Special Jury Prize (1971), Tehran International Film Festival - Best Film, Best Director, Best Actor (1971).

The film was initially banned by the Iranian government upon its release due to its perceived controversial themes, but was later re-released after significant international acclaim.