Always something different, rarely something good

A struggling artist in a surreal, ever-changing city tries to find meaning and inspiration amidst the chaos. As the landscape shifts around her, she grapples with her own identity and the elusive nature of true creativity. Her journey leads her to unexpected encounters and forces her to confront the absurdity of her existence.

The film received a mixed to negative reception from critics and audiences alike, with many finding its experimental nature more alienating than intriguing. While some praised its visual ambition, the majority found the narrative disjointed and the themes underdeveloped, leading to a generally unfavorable viewing experience.

• Praised for its unique visual style but criticized for a lack of coherent storytelling.

• Felt overly pretentious and failed to connect with audiences on an emotional level.

• A frustratingly abstract experience that offers little substance beneath its artistic veneer.

Google audience: Audience reviews suggest a significant division, with some appreciating the film's artistic risks and originality, while a larger portion found it confusing, pretentious, and ultimately unsatisfying, with many expressing disappointment in the unclear plot and lack of engaging characters.

Nominated for Best Avant-Garde Film at the Sundance Film Festival (2023).

The ever-changing cityscapes in the film were created using a combination of practical effects, miniature sets, and cutting-edge digital compositing, with over 200 individual visual effects shots.