Movie spotlight
Tahu Sama Tahu
A Sumarna, the deputy head of an office in Jakarta, is suspicious of Karta and several other employees because they live very luxuriously. He asks his boss, Subroto, to investigate and take action against them. Subroto, who feels that he is committing fraud with Karta et al, negotiates to overthrow Sumarna by using Nani, a widow of a dragger. Nani succeeds in taking Surmarna away from his wife, Hayati, and makes Sumarna also commit corruption. Sumarna is arrested and sentenced to five years. Hayati, who is divorced, lives in the village with her child in her parents' house. Because this provides a good education for her child, she returns to Jakarta. She meets Amat, Sumarna's driver, who then invites her to the house of Dul and Mirah, a vegetable seller. Hayati sells rujak. After five years, Sumarna is released from prison, while Subroto et al are sent to prison because their corruption is exposed. When walking in front of Dul's house, Amat recognizes him.
Insights
Plot Summary
A drama that likely explores societal issues and human relationships within the context of 1950s Indonesia. The film's title, translating to 'Know Each Other', suggests themes of understanding, prejudice, or the complexities of interpersonal connections.
Critical Reception
Information on the critical reception of 'Tahu Sama Tahu' is scarce due to its age and limited international distribution. Films from this era in Indonesian cinema are often historically significant but may not have detailed contemporary reviews readily available.
What Reviewers Say
As a historical Indonesian film, it offers a glimpse into the storytelling and social commentary of its time.
Likely praised for its portrayal of local culture and human drama, though specific critical points are hard to ascertain.
Its significance lies more in its historical context within Indonesian cinema than in widespread critical acclaim.
Google audience: Audience reviews and ratings for 'Tahu Sama Tahu' are not available in publicly accessible databases.
Fun Fact
The film was produced during a significant period of post-independence development in Indonesia, where national cinema was beginning to find its voice.
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