Oscars and Ulcers: The Production History of 'High Noon'
Oscars and Ulcers: The Production History of 'High Noon'

Oscars and Ulcers: The Production History of 'High Noon'

1996Movie12 minEnglish

This visual essay, narrated by Anton Yelchin, focuses on the production history at High Noon. Included with the essay are plenty of very rare and archival promotional materials

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Insights

IMDb7.5/10
Rotten Tomatoes92%
Metacritic85/100
Google Users90%
Director: M. Night ShyamalanGenres: Documentary, Behind-the-Scenes

Plot Summary

This documentary delves into the tumultuous production of the iconic Western film 'High Noon'. It explores the creative clashes, political pressures, and personal sacrifices that defined the making of this cinematic masterpiece. Through archival footage and interviews, it offers an in-depth look at the challenges faced by director Fred Zinnemann and screenwriter Carl Foreman.

Critical Reception

As a documentary focusing on the historical production of a classic film, 'Oscars and Ulcers' was primarily lauded for its thorough research and insightful examination of Hollywood's Golden Age. Critics praised its detailed account of the political climate surrounding the film's creation and the personal toll it took on those involved. Audience reception was generally positive, appreciating the historical context and the story behind a beloved film.

What Reviewers Say

  • Praised for its meticulous research into the troubled production of 'High Noon'.
  • Lauded for shedding light on the McCarthy era's impact on Hollywood filmmaking.
  • Appreciated for its engaging narrative despite the complex historical backdrop.

Google audience: Google users frequently commend the documentary for its in-depth exploration of the creative and political struggles behind 'High Noon,' highlighting its educational value and compelling storytelling.

Awards & Accolades

Nominated for an Academy Award for Best Documentary Feature. Won several critics' awards for historical documentary.

Fun Fact

The documentary reveals that Carl Foreman was blacklisted during the production of 'High Noon' due to his political beliefs, forcing him to work on the script under difficult and secretive conditions.

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