Baku Diaries 2: VHS

In this fictionalized account, a filmmaker is asked to direct a controversial film about the Baku-Tehran relationship. He struggles with the ethical and political implications of the project, as well as his own artistic integrity. The film uses the visual style of VHS tapes to evoke a sense of nostalgia and to comment on the nature of memory and truth.

Baku Diaries 2: VHS received critical acclaim for its daring subject matter, innovative filmmaking, and Panahi's masterful direction. It was praised for its ability to navigate complex political themes with nuance and artistic flair.

• A politically charged and artistically compelling narrative.

• Jafar Panahi's directorial prowess shines through his bold exploration of sensitive themes.

• The film's use of VHS aesthetic adds a unique layer to its commentary on truth and memory.

Google audience: Viewers lauded the film for its thought-provoking narrative and Panahi's courageous exploration of political themes. Many appreciated the nostalgic VHS aesthetic, finding it enhanced the storytelling. Some, however, found the political undertones complex and challenging.

Nominated for the Golden Leopard at the Locarno Film Festival.

The film's title refers to the VHS tapes that were commonly used for recording and distributing films in Iran, adding a layer of analog authenticity and commentary on censorship to the narrative.