Kino-Pravda No. 19: A Movie-Camera Race Moscow – Arctic Ocean
Kino-Pravda No. 19: A Movie-Camera Race Moscow – Arctic Ocean

Movie spotlight

Kino-Pravda No. 19: A Movie-Camera Race Moscow – Arctic Ocean

1924
Movie
17 min
Russian

Dziga Vertov-directed Soviet newsreel covering: Connecting city and country, south and north, summer and winter, peasant women and worker women / Emancipation of women in the USSR

Insights

Director: Dziga VertovGenres: Documentary, Newsreel

Plot Summary

This installment of Dziga Vertov's influential Kino-Pravda (Cinema Truth) series documents a groundbreaking expedition. It captures the journey of a motorcade and film crew traveling from Moscow to the Arctic Ocean, showcasing the Soviet Union's vastness and technological endeavors. The film emphasizes the speed and efficiency of this 'movie-camera race', highlighting the practical application of film as a tool for recording and disseminating information about national progress.

Critical Reception

As a work of Soviet propaganda and experimental documentary, Kino-Pravda No. 19 was part of a larger movement celebrated within its intended audience for its revolutionary cinematic techniques and ideological message. Its historical significance lies in its pioneering use of the 'cine-eye' approach, which Vertov championed. Critical reception from a global, contemporary perspective is more focused on its artistic and historical importance rather than conventional entertainment value.

What Reviewers Say

  • Pioneering example of 'cine-eye' documentary filmmaking.

  • Showcases Soviet technological ambition and national progress.

  • Historically significant for its experimental approach to newsreel footage.

Google audience: Not applicable for this historical documentary film.

Awards & Accolades

None notable in the traditional award sense; its acclaim comes from its place in film history and avant-garde cinema.

Fun Fact

Dziga Vertov considered himself a 'cine-poet' and aimed to capture 'life as it is' and 'life as it should be' through his 'Kino-Pravda' series, using editing and camera techniques to convey a specific truth.

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