فتنة
فتنة

Movie spotlight

فتنة

1948
Movie
110 min
Arabic

A young man grows up in the arms of a flirtatious woman who causes him to be lost and his future to be ruined. Then, because of her, he goes to prison, and when he gets out, he doesn't leave her and she doesn't leave him. He enters the world of crime and joins a gang, strengthening his position in it until he kills its leader and becomes The leader and the woman are afflicted with a malignant disease.

Insights

Director: Youssef WahbyGenres: Drama

Plot Summary

The film tells the story of a young man from a poor background who strives to achieve success through education and hard work. He faces numerous obstacles, including societal prejudice and personal struggles, but remains determined to overcome them. His journey highlights themes of perseverance, social mobility, and the corrupting influence of wealth and power.

Critical Reception

As an early Egyptian film, 'فتنة' (Fitna) is considered a significant work in the history of Arab cinema. While specific contemporary critical reviews are scarce, its enduring presence suggests it resonated with audiences for its relatable themes and melodramatic storytelling. It is often cited for its portrayal of social issues prevalent in Egypt during that era.

What Reviewers Say

  • Praised for its earnest portrayal of social struggles and the protagonist's determination.

  • Noted for its melodramatic elements and accessible storytelling.

  • Considered an important piece of early Egyptian cinematic history.

Google audience: Information regarding specific Google user reviews for this film from 1948 is not available. However, its historical significance implies it was well-received by its contemporary audience for its social commentary.

Awards & Accolades

None notable for this specific film in terms of major international awards, but it is recognized for its contribution to Egyptian cinema.

Fun Fact

Youssef Wahby, the director and lead actor, was a prominent figure in Egyptian theater and film, often referred to as 'Pasha of the Stage' for his aristocratic background and significant contributions to Egyptian arts.

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