Getting In

A young woman, Sarah, moves into a new apartment and becomes increasingly disturbed by the strange behavior of her neighbors. She discovers a dark secret involving her landlord and his wife, leading to a terrifying confrontation. The film explores themes of paranoia and psychological suspense as Sarah tries to escape her increasingly dangerous situation.

While not widely remembered, 'Getting In' received mixed to negative reviews upon its release. Critics often pointed to its slow pacing and underdeveloped characters, though some acknowledged its attempts at suspense. Audience reception was similarly lukewarm, with many finding the film predictable and lacking in genuine thrills.

• Praised for its atmospheric tension by some, but criticized for being slow and predictable by others.
• Pamela Tiffin's performance was noted as a highlight, though the supporting characters were often deemed one-dimensional.
• The film's psychological thriller elements were considered underdeveloped and lacked a satisfying payoff.

Google audience: Audiences found 'Getting In' to be a somewhat uninspired thriller that failed to deliver on its suspenseful premise. Many viewers felt the plot meandered and that the characters were not compelling enough to engage with, ultimately leaving them feeling disappointed.

The film was originally titled 'The Girl in the Picture' and underwent significant production changes and re-shoots before its release as 'Getting In'.