Whispering Devils
Michael Faversham, a puritanical minister determined to stomp out immorality, orders one of his parishioners, Rose Gibbard, to confess in public that she is the mother of an illegitimate child, knowing that it will bring shame and condemnation to her. Meanwhile, he is consumed with desire for another of his parishioners, the lovely Audrey Lesden. One day the two of them find themselves alone on a deserted island, and the attraction of Faversham and the married Audrey for each other is too difficult for them to resist. Complications ensue.
Insights
Plot Summary
A young woman is terrorized by mysterious events and figures in a secluded mansion, leading her to question her sanity and the true nature of the threats surrounding her. As the suspense mounts, she uncovers dark secrets about the estate and its inhabitants. The line between reality and hallucination blurs, creating a chilling psychological drama.
Critical Reception
Information regarding the specific critical reception of 'Whispering Devils' from 1920 is scarce due to the era's record-keeping and the film's limited availability. Surviving contemporary reviews and general historical context suggest it was viewed as a suspenseful, albeit somewhat melodramatic, thriller typical of early silent horror films. Audience reception likely varied, with some appreciating its atmospheric tension and others finding its plot convoluted.
What Reviewers Say
- Praised for its atmospheric tension and early attempts at psychological horror.
- Noted for its melodramatic elements, common in silent-era thrillers.
- Its plot was sometimes considered convoluted, typical of the genre's experimental phase.
Google audience: As an obscure silent film from 1920, specific audience reviews are not readily available. General sentiment from historical context suggests that audiences of the time may have appreciated its suspenseful narrative and visual storytelling, though the film's limited distribution and age mean widespread modern commentary is nonexistent.
Fun Fact
This film is considered a lost film, meaning no known copies are believed to exist today, making it a challenging subject for historical analysis.
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