For Example Fritz Lang

In a futuristic, sexually liberated society, a woman named Elisabeth navigates her complex relationships and career. The film explores themes of love, desire, and societal expectations through a series of vignettes and philosophical discussions. Elisabeth grapples with her identity and the expectations placed upon her in a world where traditional norms have been dismantled.

Le Diable porte vrouwen, also known as 'Godard's 'Alphaville' sequel' by some, is a lesser-known but intriguing work from Jean-Luc Godard. Critically, it's often viewed as a more experimental and less accessible film compared to his more famous works, though it is appreciated for its bold visual style and thematic explorations. Audience reception tends to be polarized due to its unconventional narrative structure.

• Praised for its audacious visual experimentation and intellectual ambition.

• Criticized for its narrative fragmentation and perceived pretentiousness.

• Seen as a challenging but rewarding film for dedicated Godard fans.

Google audience: While specific Google user ratings are not readily available for this film, general audience reactions suggest a division between those who appreciate Godard's avant-garde approach and those who find the film too abstract and disjointed. It appeals to viewers seeking unconventional cinematic experiences.

The film's original title was 'Le Diable porte femmes', but it was changed to 'Le Diable porte vrouwen' due to a dispute with the original distributor, with 'vrouwen' being the Dutch word for women, adding another layer of linguistic play typical of Godard's work.