Alegre ma non troppo
Pablo is a twenty-year-old man who wants to be a musician in order to be appreciated by his mother and find a male partner he can share his love with. He finds one, but because of his demanding behaviour, he is soon alone again. He tries to become a French horn player in the Youth Spain National Orchestra, but the examiner turns out to be his father, who's been living apart from his family and doesn't really accept Pablo's sexual trends. Once Pablo fails in his exam, he feels very depressed. When another French horn player from Valencia hasn't got a place to sleep, Pablo takes him home to his house. The next morning, however, he finds a girl named Salome inside of his bed.
Insights
Plot Summary
A lighthearted comedy about two friends, Massimo and Christian, who are involved in a series of comical misunderstandings and romantic entanglements. The film follows their misadventures as they navigate work, relationships, and their own sometimes foolish decisions, leading to a series of absurd situations that highlight the humorous side of everyday life.
Critical Reception
The film was a commercial success in Italy, typical for comedies starring Massimo Boldi and Christian De Sica, who were a popular duo. Critical reception was generally mixed to positive, with many praising its comedic timing and the chemistry between the lead actors, while some found the humor to be somewhat formulaic.
What Reviewers Say
- Praised for its lighthearted and often slapstick humor.
- The strong chemistry between leads Massimo Boldi and Christian De Sica is a major draw.
- Seen as a typical, enjoyable Italian comedy of its era.
Google audience: Audience reception is generally positive, appreciating the film for its comedic elements and the performances of the main cast, which provided straightforward entertainment.
Awards & Accolades
None notable.
Fun Fact
The film is part of a long tradition of Italian 'cinepanettone' comedies, which are typically released around Christmas and feature popular comedic actors in lighthearted, often farcical, stories.
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