Movie spotlight
Undressing Extraordinary
Here we present a picture that simply convulses an audience with laughter. The scene opens in the bedroom of a hotel. A traveler appears, evidently a "little worse for wear." After stretching and yawning, he proceeds to disrobe. He throws off his coat and vest, but to his surprise and anguish, he suddenly finds himself clothed in a continental uniform. He throws this off in anger, but immediately a policeman's costume flies on him. This is in turn thrown aside in great rage and he finds himself clothed in a soldier's uniform. At last, thinking himself successful, he makes for the bed and finds a skeleton complacently resting on his pillow. The bed suddenly disappears, leaving him seated on the floor, and great quantities of bed clothes rain down from the ceiling. The picture ends leaving the audience simply convulsed in laughter. (Edison Catalog)
Insights
Plot Summary
This early silent film is a brief comedic sketch that likely involves a humorous situation revolving around someone attempting to undress, perhaps with unexpected or exaggerated results. Given the era, the humor would have been visual and slapstick in nature. The film's title suggests a focus on the act of undressing as the central gag.
Critical Reception
As a film from 1901, 'Undressing Extraordinary' predates formal film criticism as we know it. Its reception would have been primarily through audience amusement in early cinemas and nickelodeons, where short, simple comedies were popular novelties. Detailed critical analysis or widespread audience reviews are not available for this period.
What Reviewers Say
Considered a very early example of visual comedy.
Its simple premise likely appealed to the novelty-seeking audiences of the time.
Lacks historical context for in-depth review.
Google audience: Due to the film's age and obscurity, there is no available information on Google user reviews or audience sentiment.
Fun Fact
Films like 'Undressing Extraordinary' were crucial in establishing the foundational comedic language of cinema, relying on exaggerated physical actions and unexpected outcomes to generate laughter before the advent of spoken dialogue or complex narratives.
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