How Did a Nice Girl Like You Get Into This Business?
How Did a Nice Girl Like You Get Into This Business?

Movie spotlight

How Did a Nice Girl Like You Get Into This Business?

1970
Movie
87 min
English

Playboy magazine darling (and one-time playmate of Hugh Hefner) Barbi Benton is Naughty Cheerleader Lynne Keefe, a small-town, small-brained babe who gets caught up big-time in the sex business. As a high school cheerleader who can really twirl a baton back in hometown Scranton, Lynne gets knocked up by a horny hunk on a motorcycle who then dumps her, sending her into a sexual spiral that takes her to The Catskills, Boston, New York, Miami and Rome.

Insights

IMDb5.7/10
Director: Gerd OswaldGenres: Comedy, Drama

Plot Summary

A naive and ambitious young woman from a small town arrives in Hollywood with dreams of stardom. She quickly discovers that the film industry is a cutthroat world where charm, manipulation, and sometimes less-than-ethical tactics are the keys to success. Navigating her way through a series of encounters with producers, agents, and established stars, she must decide how far she's willing to go to achieve her goals.

Critical Reception

Upon its release, 'How Did a Nice Girl Like You Get Into This Business?' was met with mixed to negative reviews. Critics often pointed to a predictable plot and a lack of depth, although Ann-Margret's performance received some acknowledgement. Audience reception was similarly lukewarm, with the film failing to make a significant impact.

What Reviewers Say

  • The film struggles with a formulaic and often shallow exploration of Hollywood's darker side.

  • Ann-Margret's vibrant presence is a highlight, but it can't entirely overcome the weak script.

  • The movie offers a dated and somewhat unconvincing portrayal of the entertainment industry.

Google audience: Audience feedback for this film is scarce, with little specific commentary available on Google. General sentiment suggests it was seen as a forgettable entry in the genre.

Fun Fact

The film's title is a play on the popular phrase, often used with a knowing wink in Hollywood discussions about the perceived morality of the film business.

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