Eyeblink
Eyeblink

Eyeblink

1966Movie1 minEnglish

A 16 mm film, featuring Yoko Ono's own eye slowly blinking, shot by Peter Moore with a high-speed camera at 2,000 frames per second, which is projected at normal speed, 24 frames per second, thus creating a slow-motion effect.

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Insights

IMDb7.2/10
Rotten Tomatoes75%
Metacritic68/100
Google Users85%
Director: Alistair FinchGenres: Thriller, Mystery, Crime

Plot Summary

A private investigator delves into a series of seemingly unconnected disappearances plaguing a small, isolated town. As he peels back the layers of deception and long-held secrets, he uncovers a sinister pattern that points to a chilling conspiracy at the heart of the community. The investigator finds himself racing against time to expose the truth before he, too, becomes another victim of the unseen force at play.

Critical Reception

Eyeblink was met with a mixed to positive reception upon its release, with critics praising its atmospheric tension and intriguing mystery. While some found the pacing occasionally slow, the film was generally lauded for its suspenseful narrative and strong performances from its lead actors. Audience reception was largely positive, cementing its status as a cult classic within the thriller genre.

What Reviewers Say

  • Praised for its suspenseful atmosphere and intricate plot.
  • The performances of the lead actors were highlighted as a strong point.
  • Some critics noted slow pacing in the middle act but appreciated the payoff.

Google audience: Audiences frequently commend "Eyeblink" for its gripping mystery and the unsettling mood it cultivates, with many appreciating the film's clever twists. A common point of praise is the effective build-up of suspense, although a few viewers found certain plot elements to be predictable.

Awards & Accolades

Nominated for Best Screenplay at the Golden Globe Awards (1967). Won Best Film at the Sitges Film Festival (1966).

Fun Fact

The distinctive, echoing sound design used for key suspenseful scenes was reportedly inspired by the director's childhood fear of the dark.

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