

Movie spotlight
The Metropolitan Opera: Rigoletto
Michael Mayer’s acclaimed production, first seen in the 2012–13 season, sets the action of Verdi’s masterpiece in 1960 Las Vegas—a neon-lit world ruled by money and ruthless, powerful men. Piotr Beczała is the Duke, a popular entertainer and casino owner who will stop at nothing to get what he wants. Željko Lučić sings Rigoletto, his sidekick and comedian, and Diana Damrau is Rigoletto’s innocent daughter, Gilda. When she is seduced by the Duke, Rigoletto sets out on a tragic course of murderous revenge. Štefan Kocán is the assassin Sparafucile and Michele Mariotti conducts.
Insights
Plot Summary
This production of Verdi's 'Rigoletto' features baritone Dmitri Hvorostovsky as the cursed court jester Rigoletto, whose attempts to protect his daughter Gilda from the debauched Duke of Mantua lead to tragic consequences. Set against a backdrop of political intrigue and moral decay, the opera explores themes of love, betrayal, and vengeance.
Critical Reception
The Metropolitan Opera's 2013 production of 'Rigoletto' was widely praised for its stellar vocal performances, particularly from Dmitri Hvorostovsky in the title role. The staging was noted for its grandeur and effective dramatic interpretations, resonating well with both opera aficionados and general audiences.
What Reviewers Say
Praised for Hvorostovsky's commanding and emotionally resonant portrayal of Rigoletto.
Noted for strong supporting performances, especially from the singers portraying Gilda and the Duke.
Applauded for the rich, traditional staging and the powerful orchestral accompaniment.
Google audience: Audience reviews often highlight the exceptional vocal talents on display and the emotional depth of the performances. Many expressed satisfaction with the high production values and the overall operatic experience.
Awards & Accolades
None notable (as a specific broadcast/recording, rather than the opera itself)
Fun Fact
This production marked Dmitri Hvorostovsky's return to the role of Rigoletto at the Metropolitan Opera, a role for which he had previously received critical acclaim.
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