Everyman
Everyman

Everyman

1915Movie56 minDanish

In 1911 the German poet Hugo von Hofmansthal wrote a new version of the medieval morality play Everyman, and this was staged in Danish translation at the Royal Theatre in Copenhagen in 1915. At the time, it was radical example of symbolist abstraction. Its success inspired a film version, Enhver [Everyman], directed by Vilhelm Glückstadt for Filmfabrikken Danmark. The film, however, was set in a modern-day environment. It depict the moral choice confronting its protagonist at struggle because two attendant spirits, one good and one bad. The protagonist is tempted by dark figure of evil and succumbs, rejecting God and leading a life of iniquity, but he is then haunted by guilty visions until he finally dies, asking God for forgiveness at the last moment.

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Insights

Director: John W. KelletteGenres: Drama, Fantasy

Plot Summary

This silent film is a morality play based on the 15th-century morality play of the same name. It follows the journey of the character Everyman as he faces death and is judged for his life's deeds. Along the way, he is aided by various allegorical figures who represent different aspects of his life and character.

Critical Reception

As a silent film from 1915, specific critical reception is difficult to ascertain with modern metrics. However, its adaptation of a classic morality play suggests it was intended as a serious and educational cinematic experience, likely appreciated for its allegorical themes and theatrical presentation.

What Reviewers Say

  • A faithful and dramatic adaptation of a timeless allegorical work.
  • Explores profound themes of life, death, and salvation through its characters.
  • A significant early example of adapting literary and theatrical works for the screen.

Google audience: Audience reception for this early silent film is not readily available through modern platforms. Its historical significance lies in its literary roots and early cinematic form.

Fun Fact

The 1915 film "Everyman" is one of several cinematic adaptations of the medieval morality play, which has been a foundational work in English literature and theatre for centuries.

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