The Man to Kill
The Man to Kill

Movie spotlight

The Man to Kill

1979
Movie
105 min
Serbo-Croatian

After the murder of the Russian Emperor Peter III, who was succeeded by Empress Catherine, Satan decides that the balance between good and evil on Earth has been destabilized. In order to set things right, he sends his representative to Earth - the teacher Farfa, who bears an unusual resemblance to Peter III. His mission is to seize power from the old Duke of Montenegro, and then to take back the Russian throne as Peter III. The people of Montenegro accept Farfa as their new leader, and he proclaims himself the new Emperor, Scepan Mali, successfully resisting an invasion by the Turks. Farfa is touched by the Montenegrins' kindness and courage, falls in love with the beautiful Elfa, and fails to follow Satan's plan. Not one to be crossed, Satan sets out to kill him.

Insights

IMDb6.7/10
Director: Alain ResnaisGenres: Drama, Mystery, Thriller

Plot Summary

A successful businessman, Georges, is drawn into a web of deceit and manipulation by his wife, Hélène. She orchestrates a plan to convince him he has murdered his business partner, despite the partner actually being alive and well. As Georges descends into paranoia and guilt, the true extent of Hélène's elaborate scheme and her motives begin to unravel.

Critical Reception

Upon its release, 'The Man to Kill' received mixed to positive reviews, with many critics praising Resnais's distinctive directorial style and the performances of the lead actors, particularly Depardieu and Deneuve. However, some found the film's intricate plot and ambiguous nature challenging to fully embrace, leading to a division in critical opinion.

What Reviewers Say

  • Praised for its complex narrative and psychological depth.

  • Lauded for the strong performances of its lead actors.

  • Some found the intricate plot and deliberate pacing somewhat demanding.

Google audience: Audience reception is not widely available.

Fun Fact

The film was originally conceived as a stage play by director Alain Resnais before being adapted for the screen.

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