The September Issue
The September Issue

The September Issue

2009Movie90 minEnglish

A documentary chronicling Vogue editor-in-chief Anna Wintour's preparations for the 2007 fall-fashion issue.

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IMDb7.2/10
Rotten Tomatoes85%
Metacritic71/100
Google Users85%
Director: R.J. CutlerGenres: Documentary

Plot Summary

This documentary offers an intimate look inside the inner workings of Vogue magazine, focusing on the creation of its most important issue of the year: the September issue. It follows the formidable editor-in-chief Anna Wintour and her team as they navigate the demanding and often high-stakes world of high fashion. The film captures the creative process, the editorial decisions, and the immense effort required to produce the iconic publication.

Critical Reception

The September Issue was met with widespread critical acclaim, lauded for its fascinating portrayal of the fashion industry and the personalities within it. Critics praised its access to the normally guarded world of Vogue and the compelling dynamic between Anna Wintour and her creative director, Grace Coddington. Audiences also responded positively, appreciating the behind-the-scenes glimpse into a glamorous yet demanding profession.

What Reviewers Say

  • Fascinating look into the glamorous yet cutthroat world of fashion.
  • Anna Wintour is depicted as a powerful and enigmatic figure, driving the magazine's success.
  • The film offers a compelling contrast between Wintour's business acumen and Coddington's artistic vision.

Google audience: Google users largely appreciated the documentary for its behind-the-scenes access to the fashion industry and the captivating personalities involved. Many found Anna Wintour to be an intriguing subject, while the creative process and the sheer scale of producing the September issue were highlighted as significant draws.

Awards & Accolades

Nominated for Best Documentary at the Primetime Emmy Awards.

Fun Fact

The film was shot entirely on the then-newly released Panasonic P2 HD digital camera system, making it one of the first documentaries to be filmed entirely in high-definition digital.

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