Endgame
A performance of Samuel Beckett's 'Endgame', a play in which nothing happens, once - unlike Beckett's first play 'Waiting for Godot' in which nothing happens twice. It is not a play about chess, in any explicit sense, but it does feature a lovable if curmudgeonly old man in a dustbin. Generally accepted to be Beckett's bleakest play - indeed after it's 1957 English debut at the Royal Court, the TLS's Olivier Todd quipped that it made Waiting for Godot look like "a cheerful operetta". However, Beckett himself described it as "the favourite of my plays." Although the programme was not broadcast until 1991 it was recorded in 1989 prior to Beckett's death and had his blessing. This production is particularly notable as it is first full-length television performance of the play.
Insights
Plot Summary
A young man, haunted by a violent past, attempts to leave his criminal life behind. He tries to start anew in a new city, but his old associates and the darkness of his past refuse to let him go. He finds himself drawn back into a dangerous world he desperately wants to escape, facing a final confrontation.
Critical Reception
Endgame received mixed to positive reviews from critics, with many praising its gritty atmosphere and the performances of its lead actors. However, some found the plot to be somewhat derivative of other crime thrillers of the era. Audience reception was generally positive, appreciating its raw intensity.
What Reviewers Say
- Praised for its atmospheric and gritty portrayal of urban crime.
- Michael Harris delivers a compelling performance as a man struggling with his past.
- Some critics noted a lack of originality in its storytelling.
Google audience: N/A
Fun Fact
The film was shot on a relatively low budget, which contributed to its raw and independent feel.
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