Movie spotlight
Baron Olavo, The Horrible
Bressane’s first color film, shot in the home of the artist Elyseu Visconti. Part of it is missing sound and final editing because the director was forced to leave Brazil. Horror and humor to deal with the subject of insanity: “In the end everyone leaves the house as though they were laboratory mice escaping, they invade the city and contaminate the world”. “If we talk about horror, this film deals with national horror, with Mojica Marins as an emblem. There might be a few touches of Corman and English horror, but it is another level of horror. What transformed the film was the location where we were shooting, the house of a 19th century painter, a receptacle of light. When I arrived and saw that house, that light, I said: ‘This is the film. This is the horror’. The meaning of the film, its appeal, derives from this laboratory of light” (J. Bressane). — Torino Film Festival
Insights
Plot Summary
In this Brazilian horror-comedy, Baron Olavo, a notorious figure, is accused of grave robbing and murder. However, he claims to be a victim of circumstance, caught in a web of supernatural events. The film follows his misadventures as he tries to clear his name while dealing with a vengeful spirit and the local authorities.
Critical Reception
This film is a cult classic in Brazilian cinema, particularly for its blend of horror and slapstick comedy. While not critically acclaimed by mainstream standards, it is remembered fondly for its eccentric premise and the performances of its comedic leads.
What Reviewers Say
A campy and entertaining blend of horror and comedy.
Features memorable performances from Brazilian comedy icons.
Appreciated for its unique, albeit low-budget, charm.
Google audience: Audience reception for this film is largely based on nostalgia and its cult status within Brazil. It's often cited as a fun, if kitschy, example of Brazilian genre cinema from the era.
Fun Fact
The film is known for its low-budget special effects, which have become part of its peculiar charm for fans of cult cinema.
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