Park Avenue Logger
Park Avenue Logger

Movie spotlight

Park Avenue Logger

1937
Movie
67 min
English

Millioniare Curran, thinking his son too intellectual, sends him west to learn logging at one of his lumber camps. Unknown to his father, Grant Curan is a professional wrestler and easily able to handle the thugs that attack him at the lumber camp. This enables him to stay on the job and he soon undercovers how his father is being cheated by the local boss.

Insights

IMDb6.4/10
Director: Sam NewfieldGenres: Comedy, Short

Plot Summary

In this short comedy, a well-dressed city dweller unexpectedly finds himself in the rough-and-tumble world of a lumber camp. Through a series of comical misunderstandings and physical gags, he attempts to navigate the unfamiliar environment and its boisterous inhabitants. Buster Keaton's signature deadpan humor and physical comedy shine as he contrasts with the rugged loggers.

Critical Reception

As a short film from 1937, 'Park Avenue Logger' received primarily contemporary reviews within the context of its theatrical release. Critiques often focused on Buster Keaton's performance and the slapstick humor. Modern reception tends to view it as a charming example of Keaton's later work, appreciated for its nostalgic value and the enduring appeal of his comedic talent, though it's not typically considered among his most groundbreaking films.

What Reviewers Say

  • Buster Keaton delivers his classic physical comedy and deadpan delivery.

  • The short film provides a humorous clash between city sophistication and rural ruggedness.

  • Appreciated for its nostalgic value and Keaton's enduring comedic presence.

Google audience: Audience reception for this short film is largely centered around its historical context and Buster Keaton's iconic performances. Viewers often express enjoyment for the slapstick humor and Keaton's ability to elicit laughs with his expressive face and physical prowess, despite the film's brevity.

Fun Fact

This short film was part of a series of shorts Buster Keaton made for Educational Pictures in the late 1930s, which were a departure from his more elaborate feature films of the silent era.

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