In Soviet Russia, a former nobleman searches for a hidden treasure concealed within one of twelve ornate chairs. He is joined by a charming but roguish priest who also knows of the treasure and seeks to claim it for himself. Their quest leads them on a chaotic and often hilarious journey across the country, pursued by a relentless bureaucrat determined to confiscate the chairs for the state.

Mel Brooks' second directorial effort, "The Twelve Chairs," received a mixed but generally positive reception upon its release. While praised for its slapstick humor and energetic performances, some critics found its comedic style less refined than his later works. Audience reception was generally favorable, appreciating the film's anarchic spirit and Brooks' signature comedic touch.

• Praised for its broad, physical comedy and relentless pace.
• Applauded for the performances of its lead actors, particularly Ron Moody and Dom DeLuise.
• Some found the humor to be occasionally uneven or overly broad.

Google audience: Audience reviews are generally positive, with many appreciating the film's comedic energy and the performances. Some viewers note it as a less polished but still enjoyable early work by Mel Brooks.

The film was originally conceived as a musical, but Mel Brooks decided to make it a spoken comedy after struggling to find suitable musical numbers.