1/3 Lover
Everyone seems to be chasing Mona Hsia-Hwang. The opening scene has her being pursued a cornered by a cop, who molests her with his pistol. She gives into his attentions, then shoots him, establishing her credentials as a femme fatale. We then meet Mona's young cousin May, being picked up by Mona's husband's adopted son Li Wai Wai. Wai is the smouldering sullen type, whom May fancies almost immediately. Trouble is, Wai is secretly in love with Mona. Mona tends to the bodily functions of her sick and elderly husband Hwang Fei Hung. Fei Hung has a heart condition, and is under medical orders to avoid excitement. But, with a wife as luscious as Rena M, how is this possible?
Insights
Plot Summary
A young woman falls for a married businessman, leading to a complex and tumultuous relationship. The film explores themes of love, betrayal, and the consequences of infidelity. As their affair progresses, the characters grapple with their desires and the societal pressures surrounding their choices. The narrative ultimately depicts the emotional toll such a relationship can take on all involved.
Critical Reception
As a Category III film from Hong Kong, "1/3 Lover" was primarily targeted towards adult audiences and often received mixed to negative critical reviews, which focused on its sensationalist elements and melodramatic plot rather than artistic merit. Its commercial performance was likely modest, catering to a niche market.
What Reviewers Say
- Criticized for its melodramatic and predictable storyline.
- Noted for its explicit content, typical of Hong Kong's Category III films.
- Performances were often deemed uninspired, failing to elevate the material.
Google audience: Information regarding specific Google user reviews for this film is not readily available. As an older Hong Kong Category III film, it has a limited audience and less documented user feedback compared to mainstream releases.
Fun Fact
As a Category III film in Hong Kong, "1/3 Lover" was released with an R-rated equivalent, indicating mature content, which restricted its audience but was a common classification for films exploring adult themes during that era.
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