Wrong Direction
Wrong Direction

Wrong Direction

1934Movie19 minEnglish

Edgar (Edgar Kennedy) gets a call from the studio to come in and direct the last scene of a film in production. But, before he can leave the house, his wife Florence (Florence Lake) and her Mother (Dot Farley) make him dress the part with riding breeches, a beret, an ascot, a crop and riding boots, and this rig is met with much derision by both cast and crew when he arrives at the studio. Carol (Jean Fontaine), the star of the movie doesn't want Edgar as the director and makes things difficult for him, especially after she hears the producer (Nat Carr) tell him he is limited to making no more than two shots on any scene. Meanwhile, Florence, Mother and Brother (Billy Eugene)decide to drop in on the set and watch Edgar at work. Because of his relatives or Carol, Edgar is forced to shoot the same scene over and over.

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Insights

IMDb5.8/10
Director: Charles ReisnerGenres: Comedy, Short

Plot Summary

In this short comedy, a man named George is determined to win the affection of a woman by staging a daring rescue. However, his plans quickly go awry due to a series of misunderstandings and slapstick mishaps. He finds himself in increasingly absurd situations as he tries to prove his bravery, often with unintended and humorous consequences.

Critical Reception

As a short comedy from the 1930s, 'Wrong Direction' was likely intended for light entertainment and received minimal critical attention at the time. Its humor relies on physical comedy and escalating chaotic situations, typical of the era's short films. Audience reception would have been positive for those seeking a brief comedic escape.

What Reviewers Say

  • Relies heavily on slapstick and physical gags.
  • Features a series of unfortunate and comical misunderstandings.
  • A typical, lighthearted comedic short of its era.

Google audience: Audience reviews for this film are not readily available due to its age and classification as a short film.

Fun Fact

Charles Reisner, the director, also directed Buster Keaton's 1928 film 'The Cameraman', a more critically acclaimed work.

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