Good Intentions

A wealthy young man, determined to prove his independence and win the heart of a woman his family disapproves of, orchestrates a fake engagement. However, his plan begins to unravel as genuine feelings start to develop between them, leading to complications and self-discovery. The story explores themes of societal expectations, love, and the consequences of deceit.

This early talkie from George Cukor received a mixed-to-positive reception upon its release. Critics praised the performances of its young stars, particularly Loretta Young, and Cukor's developing directorial style. However, some found the plot somewhat predictable and the romantic entanglements a bit melodramatic for the era.

• Praised for its charming performances from its up-and-coming cast.

• Cukor's direction shows early promise in handling romantic drama.

• The storyline, while engaging, treads familiar romantic territory.

Google audience: Audience reception data from 1930 is not readily available. However, contemporary reviews suggest a moderately positive reception, appreciating the romantic storyline and the actors' charm.

None notable.

This film was one of George Cukor's earliest directorial efforts before he became known for his work with female stars and his reputation as a "woman's director."