Antigone/Rites of Passion
This first feature by Amy Greenfield brings to the screen the story of the daughter of Oedipus in an emotionally relentless, visually stunning New Music Film Opera which challenges the conventions of narrative cinema to create a genre of its own. The 2500-year-old drama of the woman who defied the state to bury her brother is transformed through stark, ceaseless movement, haunting sounds and music (including themes from Glen Branca, David Van Tieghem, Elliot Sharp and Diamanda Galas) and words of outcry against our own world's injustice.
Insights
Plot Summary
A young woman named Antigone finds herself in a desperate situation after her lover is murdered. She is determined to bring his killer to justice, even if it means defying the law and confronting powerful figures. As she delves deeper into the investigation, she uncovers a web of corruption and deceit that puts her own life in danger.
Critical Reception
Antigone/Rites of Passion received a mixed to negative reception from critics, who often cited its convoluted plot and predictable twists. While some performances were noted, the film struggled to find a significant audience or critical acclaim.
What Reviewers Say
- The film attempts a modern interpretation of a classic tragedy but falls short.
- Predictable plot developments and a lack of suspense mar the viewing experience.
- Performances are uneven, failing to elevate the material.
Google audience: Audience reception for Antigone/Rites of Passion is largely unavailable, with limited public reviews to indicate specific likes or dislikes.
Fun Fact
The film is a modern re-imagining of Sophocles' ancient Greek tragedy, 'Antigone'.
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