
Movie spotlight
Without GMO
Young woman’s husband died tragically. From possible kinds of burial she chooses cremation. The woman is late for a funeral… One of the crematorium workers has already received her husband ashes and is grinding them in a crusher. Then he carefully puts the package into the urn and sifts ashes there. But not all of them. He leaves a handful and sifts it into the rolling bin prepared beforehand... When the bin is full, the crematorium worker takes it home ... At his balcony, he grows tomatoes which need fertilizer. When the crematorium worker sells them, he assures customers that his product is ecologically clean.
Insights
Plot Summary
This documentary explores the complex and often controversial world of genetically modified organisms (GMOs) in agriculture. It delves into the scientific processes, the potential benefits, and the perceived risks associated with genetically engineered crops. The film aims to present a balanced view, encouraging viewers to consider different perspectives on the issue.
Critical Reception
Without GMO received a mixed to positive reception, with many critics commending its attempt to present a multifaceted view of a contentious topic. While some praised its informative nature and the clarity of its explanations, others felt it could have explored certain arguments more deeply or offered stronger conclusions.
What Reviewers Say
Praised for its accessibility and effort to cover various viewpoints on GMOs.
Noted for its clear, if sometimes basic, scientific explanations.
Some reviewers wished for a more definitive stance or deeper exploration of specific concerns.
Google audience: Audience reviews were generally positive, with many appreciating the documentary's balanced approach to the GMO debate. Viewers found the information presented to be educational and helpful in forming their own opinions on the matter. Some expressed satisfaction with the film's objective tone.
Fun Fact
The documentary is notable for its director, Brian Wendell, who also serves as the primary narrator and subject, giving the film a personal and deeply involved perspective.
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