The Crowd Roars

This drama follows the intertwined lives of the members of a wrestling family. Patriarch "Pop" (Edward Arnold) pushes his sons, Joe and Bill, to pursue wrestling careers, despite Joe's lack of passion for the sport. Bill, the more talented brother, struggles with the pressure and the temptations of fame, while Pop's manipulative nature causes rifts within the family. The story explores themes of ambition, familial obligation, and the corrupting influence of success in the competitive world of professional wrestling.

Upon its release, 'The Crowd Roars' received a generally positive reception for its dramatic performances and its depiction of the wrestling world. Critics noted the strong lead performance by Edward Arnold and the film's ability to balance its sporting elements with compelling family drama. While not a groundbreaking film, it was considered a solid and entertaining entry in the sports drama genre of the late 1930s.

• Praised for its engaging depiction of the wrestling business and family dynamics.
• Edward Arnold's performance as the domineering patriarch was a standout element.
• Considered a well-made, if conventional, sports drama of its era.

Google audience: Information on Google user reviews for 'The Crowd Roars (1938)' is not readily available, making it difficult to summarize specific audience sentiment from that platform.

The film features a young Rita Hayworth in an early role, though she was billed as 'Rita Cansino' at the time and had a relatively minor part.