

Astero
This immensely successful remake of the 1929 foustanella classic was directed by Dinos Dimopoulos and quickly established its stars (Dimitris Papamichael and the beautiful Aliki Vouyouklaki) as the Greek cinema's top box-office draws. The story itself rigidly follows the conventions of its subgenre, although because Greek filmmakers were still churning out foustanellas for decades afterward, it hardly seems more dated than the original. Once again, it tells the tale of Mitros (Titos Vandis), a wealthy herd owner with a foster daughter named Astero (Vouyouklaki) whom he marries off to another herd owner, despite the fact that she and his son Thimios (Papamichael) are desperately in love. The other herd owner dies and Astero loses her mind a bit (although she doesn't wig out quite as spectacularly as Aliki Theodoridou in the silent original), but Mitros finally comes to the right decision and allows the children to marry.
Insights
Plot Summary
In post-war Paris, a disillusioned ex-resistance fighter named Astero becomes entangled in a complex web of smuggling, murder, and betrayal after he's hired to transport a mysterious woman and her jewels. He soon finds himself caught between the alluring woman and a ruthless criminal underworld, forcing him to confront his past and fight for survival.
Critical Reception
While Fritz Lang's "Astero" is often overlooked in his filmography, it is appreciated by noir aficionados for its atmospheric tension and classic Langian themes. It received a mixed to positive reception upon release, noted for its stylish direction and suspenseful plot, though some critics found its narrative a bit convoluted.
What Reviewers Say
- Praised for its moody atmosphere and classic film noir elements.
- Edmund Purdom's performance as the conflicted protagonist is a highlight.
- Some viewers found the plot intricate but ultimately satisfying.
Google audience: Audience reviews are scarce, but those available often highlight the film's suspenseful plot and Fritz Lang's distinctive directorial style, appreciating its dark and gritty portrayal of post-war Paris.
Awards & Accolades
None notable.
Fun Fact
This film was originally intended to be directed by Robert Siodmak, but he was replaced by Fritz Lang due to creative differences.
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