

Movie spotlight
Citizen Piszczyk
This film is a sequel to Munk's Zezowate Szczescie and it's much the same, only more so. The film begins in a cinema, where the last scenes of Zezowate Szczescie are being shown. Born unlucky, a victim of the errors and distortions of Stalinism, he is released in 1956. He meets a politically feverish woman, her influential parents, and finally becomes the father of her child. But bad luck, or perhaps an unlucky era, will not let him forget.
Insights
Plot Summary
In a communist Poland, a simple man named Piszczyk lives a mundane life, dreaming of a better future. His life takes an unexpected turn when he inherits a significant sum of money. This newfound wealth opens up a world of possibilities, but also presents him with moral dilemmas and challenges.
Critical Reception
Citizen Piszczyk is a lesser-known film from Krzysztof Kieślowski's early career, often overshadowed by his later international successes. While it showcases his emerging directorial prowess and thematic concerns, it is generally considered a more uneven work by critics. Audience reception in its native Poland was mixed, with some appreciating its social commentary and others finding its pacing slow.
What Reviewers Say
The film offers a nuanced look at the individual's struggle within a restrictive society.
Jerzy Stuhr's performance as the titular character is often highlighted as a strong point.
Some critics found the narrative meandering and the social critique to be less impactful than in Kieślowski's later works.
Google audience: Information on Google user reviews for this specific film is not readily available.
Fun Fact
Citizen Piszczyk is actually the second part of Krzysztof Kieślowski's "Decalogue" television series, which consists of ten one-hour films, each inspired by one of the Ten Commandments. It is often referred to as "The Decalogue: Two" or "Krótki film o zabijaniu" (A Short Film About Killing) and "Krótki film o miłości" (A Short Film About Love) are its more famous companion pieces, though this is a misconception as Citizen Piszczyk is a separate film within that era of Kieślowski's work, not directly part of The Decalogue.
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