No. 1

In 1988 Chile, a charismatic advertising executive is hired to craft a campaign for the 'No' vote in a plebiscite to decide whether dictator Augusto Pinochet will extend his rule. Despite facing immense pressure and the power of the state, the campaign team uses innovative and creative methods to challenge the regime. Their efforts ultimately spark a national conversation and contribute to a pivotal shift in the country's political landscape.

Pablo Larraín's 'No.' garnered significant critical acclaim for its sharp wit, compelling performances, and timely exploration of political advertising and propaganda. Critics lauded its unique approach to a historical event, blending humor with a serious underlying message about the power of media in shaping public opinion and the fight for democracy.

• Praised for its innovative use of archival footage and its sharp, satirical take on political campaigning.

• Lauded for Gael García Bernal's nuanced performance as the ad man caught between conviction and commerce.

• Recognized for its timely relevance in discussing the manipulation of media and public perception.

Google audience: Audience reviews often highlight the film's engaging and thought-provoking narrative, appreciating its blend of humor and political commentary. Many found it an insightful look at how advertising can influence significant societal change, with praise for its originality and Gael García Bernal's central performance.

Nominated for the Palme d'Or at the 2012 Cannes Film Festival; won Best Film at the 2012 Miami International Film Festival; nominated for Best Foreign Language Film at the 85th Academy Awards.

The film authentically incorporates over 16 minutes of actual archival footage from the 1988 Chilean plebiscite campaign, seamlessly blending it with newly shot scenes featuring the actors.